<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8020126238244541337</id><updated>2012-02-27T23:20:21.525-05:00</updated><title type='text'>eccolinguistics</title><subtitle type='html'>a germ for the mail</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://eccolinguistics.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-2601398562200340858</id><published>2011-11-24T20:37:00.000-05:00</published><updated>2011-11-24T21:32:05.434-05:00</updated><title type='text'>one point four</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-g0DrfNrLVRo/Tpe6dDzoDOI/AAAAAAAAAFo/IYIXCoxDkGk/s1600/ecco+4+banner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="470" src="http://4.bp.blogspot.com/-g0DrfNrLVRo/Tpe6dDzoDOI/AAAAAAAAAFo/IYIXCoxDkGk/s640/ecco+4+banner.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-BPqhtkQoLKU/TjSuJUhUJAI/AAAAAAAAACw/-YUd1NMvJvk/s1600/ECCO+4+Blog+Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: justify;"&gt;&lt;i&gt;For those whose adolescence was poisoned by the nationalist hysteria following September 11&lt;span style="font-size: small;"&gt;&lt;sup&gt;th&lt;/sup&gt;&lt;/span&gt;, public speech is nothing but a series of lies and public space a place where things might explode (though they never do).  Afflicted by the vague desire for something to happen—without ever imagining we could make it happen ourselves—we were rescued by the bland homogeneity of the internet, finding refuge among friends we never see, whose entire existence is a series of exclamations and silly pictures, whose only discourse is the gossip of commodities.  Safety, then, and comfort have been our watchwords.  We slide through the flesh world without being touched or moved.  We shepherd our emptiness from place to place.  But we can be grateful for our destitution: demystification is now a condition, not a project...&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Nascent California Student Occupation Movement's "Communiqué from an Absent Future" (September &lt;a href="http://wewanteverything.wordpress.com/2009/09/24/communique-from-an-absent-future/"&gt;2009&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;I am thinking of investing in a machine, a sort of mimeograph machine which enables one to make innumerable copies from an original typewritten sheet in any colored ink one wants. I have been wondering if, instead of a magazine, with all the difficulties it entails, we could not do better by bringing out one thing at a time, after this process. We could put a thin paper cover around it with the title printed on it—by the same process—or else each one separately, in Chinese ink or something like that. We would send the thing to a select list of people who we think might be interested. Put no price on it, but suggest that they pay what they like towards the expense, if it appeals to them. I haven't solved all the technical problems yet, nor have I the dough...&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Henry Miller writing Lawrence Durrell (Winter &lt;a href="http://mimeomimeo.blogspot.com/2011/10/i-just-received-this-email-from-my.html"&gt;1936-37&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The world men are born into contains many things, natural and artificial, living and dead, transient and sempiternal, all of which have in common that they appear and hence are meant to be seen, heard, touched, tasted, and smelled, to be perceived by sentient creatures endowed with the appropriate sense organs.  Nothing could appear, the word "appearance" would make no sense, if recipients of appearances did not exist—living creatures able to acknowledge, recognize, and react to—in flight or desire, approval or disapproval, blame or praise—what is not merely there but appears to them and is meant for their perception.  In this world which we enter, appearing from a nowhere, Being and Appearing coincide.  Dead matter, natural and artificial, changing and unchanging, depends in its being, that is, in its appearingness, on the presence of living creatures.  Nothing and nobody exists in this world whose very being does not presuppose a spectator.  In other words, nothing that is, insofar as it appears, exists in the singular; everything that is is meant to be perceived by somebody...&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Hannah Arendt in &lt;i&gt;The Life of the Mind&lt;/i&gt; (&lt;a href="http://books.google.com/books?id=ukaFNFR9fGIC&amp;amp;pg=PA19&amp;amp;lpg=PA19&amp;amp;dq=hannah+arendt+%22the+world%27s+phenomenal+nature%22&amp;amp;source=bl&amp;amp;ots=nLqv5PoaAQ&amp;amp;sig=Xs5ovEskDxxRUeZq0jJPW4m_1Xk&amp;amp;hl=en&amp;amp;ei=lP-1TsTpH8ji2QX6hPXNDQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CBoQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false"&gt;1971&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;1.4 // John M. Bennett // Jasper Brinton // Joel Chace // Matthew Cooperman // Steve Dalachinsky // Nicholas DeBoer // Geoffrey Gatza // Crane Giamo // Jeff Harrison // j/j hastain // Brenda Iijima // Mary Kasimor // Michael Leong // Jamie Townsend // John J. Trause // Jeffrey Cyphers Wright&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;eccolinguistics &lt;/b&gt;takes the work it receives and solicits (with a preference for unsolicited work, encouraging the unknown) and weaves what it selects together into a laser-inked excursion that is free and can be had by requesting it (and that's not even necessary, arriving in the mail regardless) // &lt;b&gt;eccolinguistics &lt;/b&gt;loves donations of work (especially), stamps, envelopes, staples, coffee, money, and any reading material:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;eccolinguistics // hotmail // com&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;// 142 Harvey Ave&lt;br /&gt;// Lockport, NY  14094&lt;br /&gt;&lt;br /&gt;to see its other contributors, see prior posts on this site.&amp;nbsp; &lt;b&gt;eccolinguistics &lt;/b&gt;is an aspect of &lt;a href="http://deletepress.org/"&gt;Delete Press&lt;/a&gt;.  &lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-2601398562200340858?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/2601398562200340858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/2601398562200340858'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/11/one-point-four.html' title='one point four'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-g0DrfNrLVRo/Tpe6dDzoDOI/AAAAAAAAAFo/IYIXCoxDkGk/s72-c/ecco+4+banner.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-2779603237683931331</id><published>2011-04-30T23:31:00.005-04:00</published><updated>2011-05-09T19:28:39.497-04:00</updated><title type='text'>issue 3</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://eccolinguistics.blogspot.com/search?updated-max=2011-04-30T23%3A31%3A00-04%3A00&amp;amp;max-results=1"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-RoG76M1TYR8/TbzTziABZlI/AAAAAAAAACg/mFij8tx45Gg/s640/Untitled-1.jpg" width="604" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;Post-contact:&lt;/b&gt; &lt;a href="http://epc.buffalo.edu/authors/basinski/"&gt;Michael Basinski&lt;/a&gt;, &lt;a href="http://www.johnmbennett.net/"&gt;John M. Bennett&lt;/a&gt;, &lt;a href="http://www.woodfiring.com/JASPERKILN.html"&gt;Jasper Brinton&lt;/a&gt;, Joel Chace, Steve Dalachinsky, &lt;a href="http://www.concrescentpress.org/"&gt;Nicholas DeBoer&lt;/a&gt;, Dot Devota, Whit Griffin, &lt;a href="http://english.ucdavis.edu/people/directory/amlewand"&gt;Angela Hume&lt;/a&gt;, &lt;a href="http://yoyolabs.com/index.html"&gt;Brenda Iijima&lt;/a&gt;, Caroline Knapp, &lt;a href="http://www.laabi.net/"&gt;Abdellatif Laâbi&lt;/a&gt;, &lt;a href="http://michaelleong.wordpress.com/"&gt;Michael Leong&lt;/a&gt;, &lt;a href="http://seapoetryseries.blogspot.com/"&gt;E. J. McAdams&lt;/a&gt;, &lt;a href="http://www.myspace.com/spooninmybrain"&gt;Philip Meersman&lt;/a&gt;, &lt;a href="http://www.marcpski.com/"&gt;Marc Pietrzykowski&lt;/a&gt;, &lt;a href="http://chuckrichardson.blogspot.com/"&gt;Chuck Richardson&lt;/a&gt;, &lt;a href="http://micahrobbins.com/"&gt;Micah Robbins&lt;/a&gt;, &lt;a href="http://www.theassociativepress.com/The_Associative_Press/TAP.html"&gt;Jamie Sharpe&lt;/a&gt;, Page Hill Starzinger, Brad Vogler, &lt;a href="http://wallacethinksagain.blogspot.com/"&gt;Mark Wallace&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;eccolinguistics [at] hotmail [dot] com&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-2779603237683931331?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/2779603237683931331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/2779603237683931331'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/04/issue-3.html' title='issue 3'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RoG76M1TYR8/TbzTziABZlI/AAAAAAAAACg/mFij8tx45Gg/s72-c/Untitled-1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-8142029996011116161</id><published>2011-04-10T09:57:00.002-04:00</published><updated>2011-04-12T13:25:30.864-04:00</updated><title type='text'></title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://eccolinguistics.blogspot.com/2011/04/call-for-work-ongoing-reading-free.html"&gt;&lt;img border="0" height="481" src="http://4.bp.blogspot.com/-BFeipQvIdLw/TaG2yCe0U0I/AAAAAAAAACQ/uQ1N5f4nifA/s640/Untitled-1.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-_3MvDsEv-Vo/TaSK3-k7Y5I/AAAAAAAAACc/VYFhXWal3yg/s1600/unarmed+%2526+slp+covers+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-_3MvDsEv-Vo/TaSK3-k7Y5I/AAAAAAAAACc/VYFhXWal3yg/s640/unarmed+%2526+slp+covers+2.jpg" width="588" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Mwbq4kWfgc0/TaGyf_6cScI/AAAAAAAAACM/uxbg2ahdnJs/s1600/fuck_you.05.7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-8142029996011116161?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/8142029996011116161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/8142029996011116161'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/04/blog-post.html' title=''/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BFeipQvIdLw/TaG2yCe0U0I/AAAAAAAAACQ/uQ1N5f4nifA/s72-c/Untitled-1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-6047215288382395872</id><published>2011-04-04T21:37:00.013-04:00</published><updated>2011-04-10T11:30:30.975-04:00</updated><title type='text'>cherries.</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;i&gt;For this is the era of the description of &lt;/i&gt;the All;&lt;i&gt; the age wherein a Socrates would have told the judges to take a walk down vomit alley, and could have lived as an active vehement leader of the Diogenes Liberation Squadron of Strolling Troubadors and Muckrakers, till the microbes 'whelmed him.&lt;/i&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;ECCOLINGUISTICS &lt;/b&gt;distributes literature for free to a list. It does not discriminate.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;When Poetryland gets ripping-officious or, differently, somniferous-predictable, is it anthropology one "turns" to?  &lt;/i&gt;On était dans le faux? On a basculé dans le réel.&amp;nbsp;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;ECCOLINGUISTICS &lt;/b&gt;takes shape around what arrives or is found.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt; &lt;i&gt;&amp;amp; I'm bored &amp;amp; I spot pubis&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;spring lazy elastic, SPF&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;finger licks across the back,&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;gummy gull shit sticks to hair—&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;ECCOLINGUISTICS &lt;/b&gt;is an interpretive document.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Why has there never been a mystic workman or peasant to write on the use to be made of disgust for work?&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;ECCOLINGUISTICS &lt;/b&gt;is transnational, free, and by hard copy only.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Great crowds at the Olympic games, but not of people.&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Subscribe or send work by writing to &lt;b&gt;eccolinguistics [at] hotmail [dot] com&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Softer than a fine dress. &lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Ed Sanders, John Latta, Micah Robbins, Simone Weil, Diogenes, Sappho.&amp;nbsp;  &lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Issue 3: &lt;b&gt;[ YOUR NAME HERE ]&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Issue 2: &lt;a href="http://www.woodfiring.com/JASPERKILN.html" style="color: blue;"&gt;Jasper Brinton&lt;/a&gt;, &lt;a href="http://www.vansebroeck.be/fierens-mailart/WELCOME.html" style="color: blue;"&gt;Luc Fierens&lt;/a&gt;, Whit Griffin, Jeff Harrison, &lt;a href="http://www.jjhastain.com/http%3A__www.jjhastain.com/Home.html" style="background-color: white; color: blue;"&gt;j/j hastain&lt;/a&gt;, Kelley Irmen, Caroline Knapp, &lt;a href="http://www.laabi.net/" style="color: blue;"&gt;Abdellatif Laâbi&lt;/a&gt;, Donal Mahoney, &lt;a href="http://www.philipmetres.com/" style="color: blue;"&gt;Philip Metres&lt;/a&gt;, Rico Moore, Robert Mukiibi, &lt;a href="http://www.cindysavett.com/" style="color: blue;"&gt;Cindy Savett&lt;/a&gt;, Sam Schild, Marc Thompson, &lt;a href="http://www.benjaminwinkler.com/" style="color: blue;"&gt;Benjamin Winkler&lt;/a&gt;, Joshua Ware, &lt;a href="http://home.earthlink.net/%7Esuspend/" style="color: blue;"&gt;Tyrone Williams&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: left;"&gt;Issue 1: &lt;a href="http://www.johnbr.com/" style="color: blue;"&gt;John Bloomberg-Rissman&lt;/a&gt;, Steve Dalachinsky, Patrick James&amp;nbsp;Dunagan, Whit Griffin, &lt;a href="http://mysite.du.edu/%7Eshoward/" style="color: blue;"&gt;W. Scott Howard&lt;/a&gt;, Mary Kasimor, &lt;a href="http://michaelleong.wordpress.com/" style="color: blue;"&gt;Michael Leong&lt;/a&gt;, &lt;a href="http://seapoetryseries.blogspot.com/" style="color: blue;"&gt;E. J.&amp;nbsp;McAdams&lt;/a&gt;, &lt;a href="http://epc.buffalo.edu/authors/meadows/" style="color: blue;"&gt;Deborah Meadows&lt;/a&gt;, &lt;a href="http://www.myspace.com/spooninmybrain" style="color: blue;"&gt;Philip Meersman&lt;/a&gt;, Jonathan Minton, &lt;a href="http://damnthecaesars.blogspot.com/" style="color: blue;"&gt;Richard Owens&lt;/a&gt;, Nate&amp;nbsp;Pritts, &lt;a href="http://chuckrichardson.blogspot.com/" style="color: blue;"&gt;Chuck Richardson&lt;/a&gt;, Andrew Schelling, Brandon Shimoda, Tyrone Williams&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-6047215288382395872?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/6047215288382395872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/6047215288382395872'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/04/call-for-work-ongoing-reading-free.html' title='cherries.'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-3412033086814402491</id><published>2011-03-23T19:45:00.007-04:00</published><updated>2011-04-04T21:30:04.714-04:00</updated><title type='text'>ANNOUNCING THE RELEASE OF #2!!!   CALL FOR ECCOLINGUISTICS!!!   #3!!!   COLLABORATIVE!!!   THE TIME ENDS ISSUE!!!</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-r8YwqtUvUps/TYqFwS8HUyI/AAAAAAAAAB8/9bM8hc3laAM/s1600/ISSUE+2+RELEASE+IMAGE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/-r8YwqtUvUps/TYqFwS8HUyI/AAAAAAAAAB8/9bM8hc3laAM/s640/ISSUE+2+RELEASE+IMAGE.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;Stodgy!!! Proud!!! Desire!!! Dismissive!!! Not u!s!!!!&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;In keeping&lt;/i&gt; with the Mayan calendar, issue 3 of ECCOLINGUISTICS will celebrate humankind's movement out of the 13&lt;sup&gt;th&lt;/sup&gt; b'ak'tun, into the 14&lt;sup&gt;th&lt;/sup&gt;.&amp;nbsp; What this means for ECCOLINGUISTICS and beyond, who can say.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Onward to Bugarach.&amp;nbsp; As the poet Whit Griffin writes:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;"I immediately thought of Catriona MacGregor's comments on 2012 in her recent book, &lt;i&gt;Partnering With Nature&lt;/i&gt;, 'The fact that the Mayan calendar does not go beyond December 21, 2012 points to two likely reasons: Either the Mayans had not yet interpreted the energetic seasons caused by astrological movements beyond 2012 before their civilization came to an end, or the start of the new 26,000-year cycle is so dramatically different from their own time that they were unable to interpret it.'"&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;In keeping&lt;/i&gt; with uncertainty principles, coincidentally, perhaps, taking shape around this time last century, ECCOLINGUISTICS &lt;/div&gt;&lt;div class="MsoNormal"&gt;&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;"WHAT TO DO IF A NUCLEAR DISASTER IS IMMINENT! for families preparing for imminent terrorist or strategic nuclear attacks with blast destruction followed by widespread readioactive fallout downwind."&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;In keeping&lt;/i&gt; with mailers from KI4U, CDC Fort Collins and the great D. L. Stein, host of The Dona Stein Poetry Show, KRFC 88.9, Homegrown Radio, ECCOLINGUISTICS&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;"You do not want to get stuck between your current location and your hoped for destination!&amp;nbsp; There will probably be no easy getting back!&amp;nbsp; You do not want to get stuck and / or become a refugee being herded along with panicked masses!&amp;nbsp; If evacuation is truly a viable option, do not wait, go now!&amp;nbsp; KI4U, Inc, is the only private radiological laboratory in the nation specializing in calibrating &amp;amp; re-certifying all of our country's Civil Defense radiation meters and dosimeters!&amp;nbsp; &lt;u&gt;AND&lt;/u&gt; with over 100,000 instruments and over 6 million doses of Potassium Iodide (KI) have ready our largest emergency stockpile of both in the nation! &amp;nbsp;We also produce the popular NukAlert™ &amp;amp; are exclusive source of the new RADSticker™!"&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_dhn3xHwb7Do/TVALjBSQP8I/AAAAAAAAAB4/l7ySwHy-Hgo/s1600/3848072320_ff6f1e29bd_m.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_dhn3xHwb7Do/TVALjBSQP8I/AAAAAAAAAB4/l7ySwHy-Hgo/s1600/3848072320_ff6f1e29bd_m.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr align="right"&gt;&lt;td class="tr-caption"&gt;"essentials," by Luc Fierens&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal"&gt;condensed &lt;i&gt;in keeping&lt;/i&gt; with its evolving principles ECCOLINGUISTICS&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;announces the release&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;b&gt;The Dys-G Issue&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;b&gt;"amphibology"&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;and more!!! hot spring approaches!!! back door probes!!! largest active caldera in the world!!! &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Io!!! Elysium!!! Canary!!! Yellowstone!!!&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;Contributors in issue 2:&lt;/b&gt; Jasper Brinton, Luc Fierens, Whit Griffin, Jeff Harrison, j/j hastain, Kelley Irmen, Caroline Knapp, Abdellatif Laâbi, Donal Mahoney, Philip Metres, Rico Moore, Robert Mukiibi, Cindy Savett, Sam Schild, Marc Thompson, Benjamin Winkler, Joshua Ware, Tyrone Williams&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;ECCOLINGUISTICS distributes literature for free to a list.&amp;nbsp; Print only.&amp;nbsp; Send your mailing address if you would like a subscription.&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;terra firma covered:&lt;/b&gt; Australia, Belgium, Canada, France, Italy, Japan, Uganda, UK, US&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;terra firma sought:&lt;/b&gt; Undefined&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;We are seeking work for #3:&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;eccolinguistics [at] hotmail [dot] com&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Each issue of ECCOLINGUISTICS takes shape around the work that arrives.&amp;nbsp; It is open to considering anything anyone would like to contribute.&amp;nbsp; That said, it is interested in receiving a healthy dose of prose for #3, prose in whatever form responsive to the notion that "time ends."&amp;nbsp; That said, send what you would like, scraps and all. &lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-3412033086814402491?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/3412033086814402491'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/3412033086814402491'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/03/announcing-release-of-2-call-for.html' title='ANNOUNCING THE RELEASE OF #2!!!   CALL FOR ECCOLINGUISTICS!!!   #3!!!   COLLABORATIVE!!!   THE TIME ENDS ISSUE!!!'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-r8YwqtUvUps/TYqFwS8HUyI/AAAAAAAAAB8/9bM8hc3laAM/s72-c/ISSUE+2+RELEASE+IMAGE.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-3234906276948669485</id><published>2011-01-26T22:21:00.003-05:00</published><updated>2011-03-23T19:39:38.559-04:00</updated><title type='text'>13.0.0.0.0</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-2lsAqIPNJvQ/TUDh4YCHJiI/AAAAAAAAABI/7fjnI7ab3ns/s1600/issue+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="450" src="https://lh5.googleusercontent.com/-2lsAqIPNJvQ/TUDh4YCHJiI/AAAAAAAAABI/7fjnI7ab3ns/s640/issue+2.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;ECCOLINGUISTICS is actively seeking contributions and free subscriptions to its second issue, to be printed and distributed in a batch of 200 as 2012 approaches.&amp;nbsp; The second issue aims to celebrate a profound transition apparently accompanying that year—the ending of the 13&lt;sup&gt;th&lt;/sup&gt; b'ak'tun.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;What this new beginning means, no one knows.&amp;nbsp; Perhaps we earthlings are currently undergoing its transition.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;ECCOLINGUISTICS is not beholden to any poetic or fictional or generational systems of ethics, aesthetics, ideology, thought, schools, morality.&amp;nbsp; As a work in progress, it is responsive to whatever happens to arrive as a potential contribution, to working around them, situating an array of views and voices in forced dialogue with each other.&amp;nbsp; It seeks to represent the conversations taking place at its point in time.&amp;nbsp; It seeks to receive them, so that it might imagine what could be.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;As an organism, from the plural to an interstice, an emergency, singular—fascia, bound to its cells—the one communal many.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;ECCOLINGUISTICS does recognize a certain contemporary movement within poetic communities toward the need and desire for sincere literary projects affirming the individual as a worthwhile concept—the vulnerable individual who deserves another's empathy, support, and celebration.&amp;nbsp; But it seeks something larger, more binding, than any one.&amp;nbsp; It looks down, around, and up, recognizing the wonder to be found there.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;To wit, as a work in progress, it seeks its own discomfiture, to actually decognize and see, the movement is outward and inward knowing, perhaps, what it won't escape, finding nothing to that (and as little in it).&amp;nbsp; It wants the impossible—transcendent reclamation that obeys its own underlying catastrophe—affirming of all things considered—a more livable place, without "us" at the center of it.&amp;nbsp; It wants the impossible.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The entire human organism—all genomes and phenomes—biologic and artistic—are invited to contribute:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;eccolinguistics [at] hotmail [dot] com&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-3234906276948669485?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/3234906276948669485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/3234906276948669485'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/01/130000.html' title='13.0.0.0.0'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh5.googleusercontent.com/-2lsAqIPNJvQ/TUDh4YCHJiI/AAAAAAAAABI/7fjnI7ab3ns/s72-c/issue+2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-1454125535811621632</id><published>2011-01-16T20:07:00.020-05:00</published><updated>2011-01-26T22:06:29.358-05:00</updated><title type='text'>CALL FOR AUDITORY INK / FREE SUBSCRIPTION / CRITICAL OBSERVANCE / NEW VISUAL / ISSUE 2</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_dhn3xHwb7Do/TUDgwlPBmbI/AAAAAAAAABE/pZL-6PAQ-OA/s1600/issue+2+blog+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="356" src="http://2.bp.blogspot.com/_dhn3xHwb7Do/TUDgwlPBmbI/AAAAAAAAABE/pZL-6PAQ-OA/s640/issue+2+blog+cover.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;[ongoing reading period]&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The beauty, full terror yolk birdie belly come out of the distressed went and the fix&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;perverted the broke, tear's joke (the rich!) was retarded, by the sun (had the lived with&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;them!) easy the "light's" gloaming dog wood ground cover the overburdened the&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;perennial you the same the squirrel the nut and the under dogged the mem or y who&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;forgets, where he put his nuts, his nuts are her nuts, a way it is but what isn't the fucked&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;of the "text" hung on a limb's on the moment at which you [ecphonesis] are the ghost or&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;the servant leafy riches you lived day through the you live&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;in its bath, opposite morning, window aurora, crescent moon, pricked&lt;/div&gt;&lt;div class="MsoNormal"&gt;irish! (every) body, and in time! (anasazi &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;moment c p r if f you knew what a complete sentence was, you'd be there with bells on&lt;/div&gt;&lt;div class="MsoNormal"&gt;spuds, Bud, freedom frie&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The stanzas, the not thinking unit of thought the piss is on the fracking the plate the fish&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;in the sea the, brought big, nets the okeanos in okies the peaches the southern peaches new&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;godzilla required basic move the move up and away from the alamo and the dream's&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;repetitions' dorian the beef southern californias, the can't see now the see sic the sprinkler&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;systems' public lawn the beach fronts the perimeter ran shoes and the sidewalk, the sleep&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;there, is the kick there, the piss was on the, honking sea the gull and early mourn some&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;thing died today, just south of it&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;the seals the future wife the winter water the july it was the bun that was now's in the&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;oven, the scream can little now, the flies wild for the hour now a pixel, is in the web, the&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;singalong knot real not's found no fiend friends' ee no i.e. nor virtual squirm) no buffalo, dodo,&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;cuckoo, nor recipient&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;polar bear and crow &lt;br /&gt;&lt;br /&gt;(sex now &amp;amp; everything else) Issue 1 has shipped (to Australia, Belgium, Canada, England, Italy,&lt;br /&gt;Uganda, and of course, the lower forty-eight).&amp;nbsp; from the bottom of the heart&lt;/div&gt;&lt;div class="MsoNormal"&gt;THANK YOU&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;subscriptions are free.&amp;nbsp; Free.&amp;nbsp; if you would like to receive copies in the future, send us&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;your mailing address.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;we are always accepting work.&amp;nbsp; send it to:&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;eccolinguistics [at] hotmail [dot] com&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;Contributors in issue 1:&lt;/b&gt;&amp;nbsp; John Bloomberg-Rissman, Steve Dalachinsky, Patrick James&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Dunagan, Whit Griffin, W. Scott Howard, Mary Kasimor, Michael Leong, E. J.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;McAdams, Deborah Meadows, Philip Meersman, Jonathan Minton, Richard Owens, Nate&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Pritts, Chuck Richardson, Andrew Schelling, Brandon Shimoda, Tyrone Williams&lt;br /&gt;&lt;br /&gt;(available in hard copy only.&amp;nbsp; for free.) &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-1454125535811621632?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/1454125535811621632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/1454125535811621632'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2011/01/call-for-auditory-ink-free-subscription.html' title='CALL FOR AUDITORY INK / FREE SUBSCRIPTION / CRITICAL OBSERVANCE / NEW VISUAL / ISSUE 2'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_dhn3xHwb7Do/TUDgwlPBmbI/AAAAAAAAABE/pZL-6PAQ-OA/s72-c/issue+2+blog+cover.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8020126238244541337.post-6956690383067884687</id><published>2010-10-30T23:53:00.048-04:00</published><updated>2011-01-16T20:02:26.158-05:00</updated><title type='text'>CALL FOR WORK / WRITINGS, VISUAL</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_dhn3xHwb7Do/TTORYYzpFDI/AAAAAAAAAAw/w14HtMoM1lc/s1600/eccolinguistics-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="476" src="http://2.bp.blogspot.com/_dhn3xHwb7Do/TTORYYzpFDI/AAAAAAAAAAw/w14HtMoM1lc/s640/eccolinguistics-1.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;ECCOLINGUISTICS exists to give to Mars what happened.&amp;nbsp; It must consider itself a/n historical log.&amp;nbsp; Otherwise the mere sic art of the ear.&amp;nbsp; It seeks one thing—hoary labor in "Elegy / Churchyard" (impersonal pastorals, Wordsworth's bone-headed "language used by real men"), D’s unwritten frame in frequent, drafty headaches, and too many Ds—"he had the longest day compeusing in the orchard"—Howe's thickets of Kim's colonizing "english" like Iijima's dirt shake or Doller's "full jar of heroines," rambunctious as hell seems Schelling's and Richardson's neon mud-caked coyote skin, a bug through the stream of some mountain town, mined shaft Halpern's future perfect tense toward Williams in a Detroit apartment (forthcoming?) what does it matter—Chirot's scratched site—"the most extreme consciousness of doom" ASS Adorno's "idle chatter"—to locate and record and perhaps create the end of whose planet changes where ECCOLINGUISTICS meant catalyst, complexity's angled, sparks, industrial semiosis a generation'd echo, as if the one new void generations of stalled time, unto blooming Techne&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;in bloated old samizdat style, in reproduction, its meteoric paradigm its fecundity, possibly free too in the interwebs as though we weren't paranoid ECCOLINGUISTICS seeks to pursue all politikal affiliations through the woods, piddling in the PANTS of Benjamin, in order that the frightful polar bear adrift makes it to her Lingis on shore.&amp;nbsp; His aviary—the muzic's background.&amp;nbsp; The swim too long now confusing a maze.&amp;nbsp; Stupid thing.&amp;nbsp; Cruel seals. &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;To such ends, art is a means.&amp;nbsp; It's pathetic, I know.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The fields have already lost shape.&amp;nbsp; It came from the 80s.&amp;nbsp; Of course it did on to Mars.&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;ECCOLINGUISTICS is beyond the field, surrounding it.&amp;nbsp; Its practitioners, soon to be claimed not by these pages, abide by the chance of flooding their own rooms—residents—they are children again, who will miss the libraries.&amp;nbsp; Alexandria.&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;We are not old.&amp;nbsp; They wait.&amp;nbsp; We are not good people.&lt;br /&gt;&lt;br /&gt;What says love if it comes from need.&amp;nbsp; Sounds like the "good"&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;much meant "not"—that is, "unmarked" linguistic, read away—unsystemic (strangely) objectives in the west&lt;br /&gt;a poemy clearing that you go&lt;br /&gt;"good" makes "growth"&lt;br /&gt;in one dimension altern OFFICIAL Xulture&lt;/div&gt;&lt;div class="MsoNormal"&gt;a proposition passive aggression consumptive&lt;br /&gt;"do less" pretentious behavyr&lt;/div&gt;&lt;div class="MsoNormal"&gt;precise pronouns for past and future &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Lee and Lum give a distance and the people somewhere, perhaps Nacirema and such.&amp;nbsp; To walk with Skinner's plan or Tedlock's "ethno" meant "self-poetics," even "language" and whooda thought, no structure 'are 'are percussion on a disinhibitor's blog before college kids have parked and now piss in certainty out the window "the lunatic is" seems "on the grass" again&lt;br /&gt;st meoldy intending to medicate&amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;time it with the producer's third roar it's Disney (public education&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;a pastime like newts' eggs) (early forms of lysergic acids inserted in the eyes) send your work along to ECCOLINGUISTICS.&amp;nbsp; This is a seed.&amp;nbsp; A moving beginning.&amp;nbsp; It's nothing new.&amp;nbsp; The battery's charged; the sky doesn't work.&amp;nbsp; It's initial-stage phenotype will be a mailing.&amp;nbsp; It will communicate with you as to what that means.&amp;nbsp; From the outside looking in, it could evolve into something more, perhaps morph—it could be programmed already.&amp;nbsp; It is perhaps a point in its favor.&amp;nbsp; Something organic, bio-logic and chemically based, autotrophic, creating its first meal.&amp;nbsp; The first mailing, and all subsequent mailings, will be free.&amp;nbsp; On paper.&amp;nbsp; To anyone who will have you—if you would like to be included on its list, send us your contact data, and it will find you.&amp;nbsp; It makes no promises except this one.&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;Please direct your germ at:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;eccolinguistics [at] hotmail [dot] com&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Or:&lt;br /&gt;&lt;b&gt; &lt;/b&gt;&lt;br /&gt;&lt;b&gt;ECCOLINGUISTICS&lt;/b&gt;&lt;br /&gt;&lt;b&gt;130 Middle St. apt. #3&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Farmington, ME&amp;nbsp; 04938&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;In other words, if you would like to receive ECCOLINGUISTICS at your home, it will be free, and we will need your address.&amp;nbsp; We can't say what it will contain, which seams thrilling.&amp;nbsp; If you would like to send material, please do.&amp;nbsp; Contributors to each issue, or at least this first issue, should be willing to allow that material to be selectively used as these pieces come together.&amp;nbsp; Contributors will have the opportunity to decline the page's use of the work and everything will be credited to the authors.&amp;nbsp; Because this thing is free, the editor(s) will do their best to respond to everything, and will do their best to keep every single promise.&amp;nbsp; We are also hoping that the price of nothing will encourage many subscriptions.&amp;nbsp; That is, if you trust us.&lt;br /&gt;&lt;br /&gt;Or still another way to put it—what we're up to will more recognizably find shape as materials arrive—it's an operative principle of ECCOLINGUISTICS—we advocate no mission or school.&amp;nbsp; We will distribute through the mail free thought and art to at least 200 readers.&amp;nbsp; Each issue will be small, necessarily so, and no frills, pleasure and readable, equally necessary, digestible in an hour with a tight conceptual arc.&amp;nbsp; The approach is to wallow in the basics—words on the page.&amp;nbsp; We are looking for work that isn't stifled, that has actually opened it's mouth.&amp;nbsp; There will be an attentive, inclusive, and imaginative selection process that will invite, though in no way require, collaboration.&amp;nbsp; &lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;We are here for you, the reader.&amp;nbsp; Please send your work, genre is not an issue (polemics and criticism will be welcome), subscribe (did I say it's FREE?), and pass along to anyone potentially interested the good or bad news.&amp;nbsp; Its price and tangibility (it can be held in the hand) will mean the work of contributors will be read by more readers than happens with many, though by no means all, other costly print publications.&amp;nbsp; &lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;In some ways, ECCOLINGUISTICS is an experiment, and certainly one that's been tried before, and is currently happening elsewhere, in the viral distribution of engaging writing that is not possible with costly production.&amp;nbsp; It will arrive unannounced at your home; you will have done hardly nothing.&amp;nbsp; It will hang around your home and, for a while, probably not be drowned out.&amp;nbsp; It will spread your writing.&amp;nbsp; This is our gimmick. &amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8020126238244541337-6956690383067884687?l=eccolinguistics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/6956690383067884687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8020126238244541337/posts/default/6956690383067884687'/><link rel='alternate' type='text/html' href='http://eccolinguistics.blogspot.com/2010/10/call-for-work-poetry-prose-visual.html' title='CALL FOR WORK / WRITINGS, VISUAL'/><author><name>eccolinguistics</name><uri>http://www.blogger.com/profile/12267914717698804740</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_dhn3xHwb7Do/TTORYYzpFDI/AAAAAAAAAAw/w14HtMoM1lc/s72-c/eccolinguistics-1.jpg' height='72' width='72'/></entry></feed>
